‘The Son’ does not stand as tall as ‘The Father’

“The Son” (2022) – “No love is greater than that of a father for his son.” – Dan Brown Author and playwright Florian Zeller burst onto the cinematic scene, and the grandest worldwide stages embraced “The Father” (2020), his poignant and distressing debut feature film.  “The Father” garnered six Oscar nominations, and Anthony Hopkins and Zeller won the coveted, prized statues for Best Actor and Adapted Screenplay, respectively. (“The Father” was this critic’s #6 film of 2020.)   Zeller (along with screenwriter Christopher Hampton) adapted his 2012 play, “Le Pere”,…

‘Plane’ does not soar, but this action flick hovers, entertains, and sticks the landing

“Plane” (2023) – “These planes are pretty much indestructible.” – Flight commander Brodie Torrance (Gerald Butler) Oh, famous last words. Commander Torrance will pilot Trailblazer Flight 119 – a 6-hour 30-minute flight – from Singapore to Tokyo, and he delivers the above decree with the utmost confidence to a few of his passengers while standing in the aisle.  If you’ve ever experienced flying over an ocean, this fluttering thought has probably crossed your mind: “I hope this airplane is in tip-top, because there’s a whole lot of water between here…

‘Living’: Nighy deserves a Best Actor Oscar nomination in this affecting, tender Kurosawa remake

“Living” (2022) – The year is 1953 in the UK.  As director Oliver Hermanus’ film – a remake of Akira Kurosawa’s 1952 “Ikiru” – opens, London is alive!  The city bustles with vitality with residents, tourists, various vehicles, and those classic AEC Routemaster red, double-decker busses traversing across the pavement while “Serenade for Strings in E” gloriously bounces in the background. Also, Hermanus includes a title sequence that looks like the film is straight out of the 1950s.  He and writer Kazuo Ishiguro offer a time machine to the last…