‘Fathom’ communicates clearly, but it doesn’t cinematically speak

“Fathom” – Other than breathing, communication might be the most natural act in the world.  By definition, it’s “the imparting or exchanging of news; the successful conveying or sharing of ideas and feelings; and social contact.” Sounds simple enough, but according to Google, “6,500 languages are spoken in the world today.”  If you’ve ever been to a foreign country where you don’t speak the native tongue, simple tasks like ordering off the menu, finding a restroom, or translating a subway map’s intricacies can be as bewildering as dumping 1,000 puzzle…

Movie of the Week: ‘A Single Man’

“A Single Man” (2009) – Fashion designer Tom Ford steps into the world of cinema and directs and co-writes “A Single Man”, the story of an English professor (Colin Firth) mourning the loss of his partner, Jim (Matthew Goode).  Set in 1962 Los Angeles, Ford, cinematographer Edward Grau, production designer Dan Bishop, and art director Ian Phillips get all the visuals of the period exactly right, as birthday-cake-icing pinks and blues and muted browns regularly pop into the frame.  Meanwhile, George (Firth) is feeling blue and muted.  He can’t shake…

Movie of the Week: ‘The Birdcage’

“The Birdcage” (1996) – Mike Nichols’ remake of “La Cage aux Folles” (1978) is a landmark LGBTQ film in American cinema, although looking back, this hit comedy – which raked in 185 million dollars worldwide – does have a troubling premise.  The mid-90s and 1978 were different times, so the story of a 20-year-old son asking his gay fathers, Armand (Robin Williams) and Albert (Nathan Lane), to act straight for one night to fool his fiancée’s conservative parents – perhaps – seemed like a semi-reasonable request to the American public…